Establishing Oliver Stone's reputation as
a truly outstanding filmmaker, the Oscar-winning (but inflammatory) Platoon
gives absolute credence to the adage 'war is hell'. Sheen's
middle-class boy (based on Stone himself) volunteers for Vietnam to
fulfill his patriotic duty. Once there, however, the rookie recruit finds the stark
brutality of the war stripping away his values and his humanity.
As his tour of duty progresses, Taylor
finds his unit becoming divided, forced to choose between two opposing
father figures. One is the noble, courageous liberal, Sergeant Elias
(Defoe, a hipster Christ), while the other is a scarred, racist,
bullying beast - an eternal soldier doing it all to ensure his won
survival - Sergeant Barnes (a brilliant performance from Berenger).
It is Barnes who leads the frustrated,
terrified platoon into its own vengeful My Lai massacre. It's the
movie's most terrible scene, but by the time it comes, Stone has
captured such a sense of the constant confusion and fear experienced
by young soldiers that you come to understand how such atrocities
actually happen. You also develop a new appreciation of the bravery of
men who can cling to their humanity in the face of the mob.
Platoon immerses the viewer in the
360 degree chaos of jungle warfare, blurring the lines between 'us'
and 'them', leaving only the dissociated terror of firing through
foliage at unseen foes and the fatality of young men facing imminent
death. At the same time, it shows the terrible
things grunts did in the name of Uncle Sam - taking drugs, shooting
villagers (and making them dance) and singing out of key to soul
classics.
Despite its roll call of future stars -
Charlie Sheen, Willem Defoe, Johnny Depp, Forest Whitaker - it pays to
remember that Stone had to make this movie outside the Hollywood
system. With his script rejected by every studio in town, he shot the
film in 54 days in the Philippines on a paltry $6.5 million budget,
raised from European sources. Yet Platoon went on to win Oscars
for Best Picture and Best Director, and set in motion a short cycle of
'Namflicks that swept Hollywood in the late 80s.
Stone
first conceived his story in 1969, inspired by his own experiences as
a combat infantryman, and also as something of a counterbalance to the
flag waving of John Wayne's hawkish The
Green Berets of the previous year. Stone's first-hand memories
inform Platoon's sense of lived experience, the extraordinary
feeling of cold sweat and humid jungle rot.
TRIVIA
NOTES In order to get into the big dope smoking scene, Willem Dafoe and
Co. got hold of some genuine grass. But it then took Oliver Stone
several hours to set up, by which time the actors had all crashed and
wanted to sleep.
Johnny Depp's helmet is emblazoned with the name 'Sherilyn' in
reference to his then-squeeze, Sherilyn Fenn.
Charlie Sheen
Tom Berenger
Willem Dafoe
Forest Whitaker
Johnny Depp