In the beginning was the word. And the word was A-wop-bop-a-loo-mop-a-lop-bam-boom!

When Rock & Roll exploded on the world in the mid Fifties with the successive thunderclaps of Bill Haley, Elvis Presley and Little Richard, it all seemed to come from nowhere. Rock & Roll started, like the universe itself, with a big bang - or perhaps a rapid succession of big bangs, followed by a lot of smaller ones. Or so it seemed.

Rock & Roll was, in fact, a music with a long history - or rather, several parallel histories, for it was the result of years of foundation work in the worlds of country music, blues, gospel, bluegrass, swing, rhythm & blues (R&B), Doo-Wop and jazz. None of these forms became Rock & Roll, but each played some part in the process from which Rock & Roll was distilled.

When the fermentation was complete, Rock & Roll was greeted in the US with fear and trepidation by racial and religious segregationists, political opportunists, self-appointed arbiters of public morality and the previously ultra-complacent old-guard of the record industry.

In Britain, similar claptrap spouted from predictable mouths, culminating in May 1958 with the public pillorying of Jerry Lee Lewis

British band-leader Ted Heath said; "I don't think the Rock & Roll craze will come to Britain. You see, it is primarily for a coloured population. I can't ever see it becoming a real craze" . . .

By the time Heath had said that - in May 1956 - he was already wrong and the 'craze' had arrived. Bill Haley and The Comets already had six British chart entries, Lonnie Donegan had two hits to his credit, and on the very day that Heath's prophecy was published, Elvis Presley first entered the British Top 20 with Heartbreak Hotel

A week later Carl Perkins was in the chart too, shortly followed by Frankie Lymon and The Teenagers, Fats Domino, Gene Vincent and The Platters.

The invasion of American Rock & Roll irrevocably changed the lives of many British teenagers of the 1950s and the first British artists specifically promoted as Rock & Rollers began to appear. 

By 1959 there were as many British rockers vying for success as there were American originators.

 

¤ The Accents
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¤ Alma Cogan
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¤ The Chordettes
¤ Chubby Checker
¤ Chuck Berry
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¤ The Clovers
¤ Clyde McPhatter
¤ The Coasters
¤ Col Joye
¤ Connie Francis
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¤ The Crests
¤ The Crew Cuts

¤ Danny & The Juniors
¤ David Whitfield
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¤ The Dells
¤ Dick Dale
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¤ Dickie Valentine
¤ Dig Richards
¤ Dinah Washington
¤ Dion
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¤ Duane Eddy
¤ Duffy Power

¤ Eddie Calvert
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¤ Fabian
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¤ The Five Satins
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¤ Frank Sinatra
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¤ Frankie Laine
¤ Frankie Lymon & The Teenagers
¤ Frankie Vaughan

¤ Gene Vincent
¤ Guy Mitchell

¤ Hank Williams
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¤ The Ink Spots
¤ The Isley Brothers

¤ Jackie Wilson
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¤ Jerry Lee Lewis
¤ Jim Dale
¤ Jim Reeves
¤ Joan Regan
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¤ Johnnie Ray
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¤ Johnny Devlin
¤ Johnny Gentle
¤ Johnny Mathis
¤ Johnny O'Keefe (Australia)
¤ Johnny Rebb
¤ Jo Stafford
¤ Judy Stone
¤ Julie London

¤ Kay Starr
¤ The Kingston Trio
¤ Kitty Kallen

¤ Lana Cantrell
¤ Larry Williams
¤ LaVern Baker
¤ Link Wray
¤ Little Anthony & The Imperials
¤ Little Richard
¤ Lonnie Donegan
¤ Lonnie Lee
¤ Lucky Starr

¤ Mario Lanza
¤ Marty Robbins
¤ Marty Wilde
¤ Max Bygraves
¤ Michael Holliday
¤ The Monotones
¤ The Moonglows
¤ Muddy Waters
¤ The Mudlarks

¤ Nat King Cole
¤ Neil Sedaka
¤ Nina Simone
¤ Norman Erskine

¤ Odetta

¤ Pat Boone
¤ Patsy Cline
¤ Paul Anka
¤ Paul Evans
¤ Peggy Lee
¤ The Penguins
¤ Perry Como
¤ Petula Clark
¤ The Platters

¤ Ray Charles
¤ Ray Hoff & The Off Beats
¤ Ricky Nelson
¤ Ritchie Valens
¤ Robin Luke
¤ Roy Orbison
¤ Ruby Murray
¤ Russ Conway

¤ Sam Cooke
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¤ Sandy Nelson
¤ Shirley Bassey
¤ Slim Whitman
¤ Smiley Lewis
¤ Sonny Boy Williamson
¤ The Stargazers

¤ Tab Hunter
¤ Ted Heath
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¤ Tennessee Ernie Ford
¤ Teresa Brewer
¤ Terry Dene
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¤ Tommy Sands
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¤ Tony Bennett
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¤ Vince Eager
¤ Vince Taylor
¤ Vipers Skiffle Group
¤ The Viscounts

¤ Wanda Jackson
¤ Warren Smith
¤ Warren Williams
¤ Winifred Atwell

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 See Also

¤  Music in the 1950s
¤  Music in the 1960s
¤  Music in the 1970s
¤  Music in the 1980s
¤  Music in the 1990s