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  Established in 1998, Nostalgia Central is your one stop reference guide through five decades of music, movies, television, pop culture and social history


THE BAND

 

Blur


Blur's fourth album The Great Escape paid homage to the English tradition of music-hall pop, as exemplified by The Kinks, Ian Dury and Madness, who all combined wry, observational lyrics about everyday life with a tragicomic pathos.

Singer and wordsmith Damon Albarn went to drama school, and appropriately most Blur songs are like miniature satirical plays. The Great Escape is full of third-person vignettes that caricature English stereotypes, such as Ernold Same - a brief sketch about a conformist commuter crushed by soul-numbing routine.

Country House - the single that beat Oasis to the UK Number One spot - is about a city gent who retreats from the urban rat race. Mocking a namedropping poseur, Charmless Man echoes the heavy-handed satire of The Kinks' Dedicated Follower of Fashion, while Top Man is an punning portrait of a womanising thug who's "naughty by nature/shooting guns on the High Street of Love".

Despite flashes of wit, there was a condescending detachment and lack of compassion to Albarn's writing that makes his characters hollow and two-dimensional. The singer's bogus Cockney accent, where "cold sweat" is pronounced "cow swah", and his perpetual sneering tone, also become irritating with prolonged exposure.