Doll By Doll
Even by the standards of London punk
in the mid 70s, Doll By Doll were a uniquely abrasive band - feared,
loathed and, by a few, fiercely loved. In a time and place when Sid
Vicious could find acceptance, Doll By Doll and their four albums of
Celtic New Wave hard rock - all
psychiatric damage, mystical theories and violent romance - were
strikingly unsuccessful.
Jackie Leven was no callow youth when he formed Doll By Doll.
Born in 1950, he lived rough across late-60s Europe after fleeing a
gang in his Fife hometown. In 1967 he encountered guitarist Joe
Shaw, drummer David MacIntosh and bassist Robin Spreafico squatting
Dorset farms.
Two years on, the singer found space for them in a
Maida Vale (London) squat, where neighbours included "badly
damaged Scottish guys, prostitutes and petty thieves". This
environment forged Doll By Doll.
Their shows were designed to confront and disturb, inspired by
the works of 1930s Theatre Of Cruelty subversive Antonin Artaud and
rebel psychiatrist RD Laing. Crowds were small and walk-outs were
almost encouraged. "We genuinely had demons," Leven
recalls. "And we had an audience who could take it. At the same
time, there were people thinking 'if I don't get away from this band
right now, I might go insane'. When we got offstage we'd be
shaking".
Doll By Doll signed to Warner-affiliated label Automatic, and Anarchy
In The UK producer Bill Price was assigned to their brutally
direct 1978 debut, Remember. Released with great fanfare and
expense, it was largely loathed.
The band members' disquieting natures were a factor. "We
were unusual guys," Leven concedes. "We all had serious
unresolved edges. We didn't go out to offend but something we were
doing was offensive. The guys were always getting in serious
trouble, in terms of aggression. There was a power of personality we
enjoyed exerting".
Undaunted, Doll By Doll reconvened the following year for Gypsy
Blood, now seen as their masterpiece. Leven's own half-Romany
background and a new lyrical reach strengthened a psychologically
brooding piece of Celtic pop. Automatic were thrilled, only to find
that their American bosses had no intention of a US release, for
this or almost all the label's lavishly financed roster. In the UK,
the record bombed "terrifyingly" anyway.
Even fellow bands loathed Doll By Doll. They freaked out Devo,
who kicked them off their tour. At the Hammersmith Odeon finale of
an oppressive 1980 trek supporting new Automatic label mates Hawkwind,
a huge backstage battle with the latter's roadies saw label
executives beaten up. Doll By Doll were sacked.
1981 saw their unlikely return on Magnet - home of Darts
and Alvin Stardust. A third,
self-titled album tried to engage with pop. Their attempt to record
a hit single nearly worked, but Magnet provided the band with a new
enemy: label boss Michael Levy (who went on to infamy as the New
Labour financier under investigation as 'Lord Cashpoint').
"I've met a lot of bastards in my life, but he really enjoyed
hurting people," Leven ruefully recalls. "We were ready to
kill each other".
Leven ditched his band mates and made one final effort as Doll By
Doll - Grand Passion (1982) - but it was all too late.
The real end came when a street attack in 1983 left his larynx
crushed. Unable to sing, his label dropped him and he became a
long-term junkie. His extraordinary return in the 90s as a mature
singer-songwriter is another story altogether.
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