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  Established in 1998, Nostalgia Central is your one stop reference guide through five decades of music, movies, television, pop culture and social history


THE BAND

Jim Lowe
Vocals, guitar
Ken Williams

Guitar
James 'Weasel' Spagnola

Guitar
Mark Tulin

Bass
Preston Ritter

Drums
Michael 'Quint' Weakley

Drums

The Electric Prunes


The story of The Electric Prunes is the classic tale of a group plucked from obscurity. 

A group of friends from Taft High School in Los Angeles were practicing in a garage one day when a passing real estate agent heard them and was inspired to introduce the group to her friend, RCA studio engineer Dave Hassinger.

Hassinger believed the group had talent, but lacked song writing ability and so brought in professional songwriters Annette Tucker and Nancie Mantz. 

This pair had originally penned I Had Too Much To Dream (Last Night) as a slow piano ballad, but the group's interpretation, inspired by the hippie scene of the day, was a fuzz and reverb-soaked trip into the fantastical.

Double-tracked vocals and echoes added to its soaring sound and led to the track's release as a single and it reached Number 11 on the US charts. This swiftly led to the recording of an album - mostly of Mantz/Tucker material - with the Reprise label.

Their follow-up single, Get Me To The World On Time, was a similarly lush psychedelic affair, but failed to recreate the commercial success of their debut. 

The album - also called I Had Too Much To Dream (Last Night) - did well on both sides of the Atlantic, certainly equalling sales of contemporaries such as Jefferson Airplane and so - at least at the beginning - the Prunes were viewed as the frontrunners of the burgeoning West Coast psychedelic scene.

The group started taking themselves very seriously and recorded their album Mass in F Minor sung in Latin, in what were supposed to be Gregorian chants. Despite their pious intentions, it was an unholy noise!

Years later, the large number of copies of their debut album that became cheaply available in second-hand markets and the like led to them becoming a huge influence on garage punk bands in the 1970s, such as The MC5 and The Stooges.