King Crimson

The next four years saw Fripp directing four completely different line-ups - among a dozen transient members were Greg Lake (ELP), John Wetton (Asia), Ian McDonald (Foreigner), Boz Burrell (Bad Company) and Bill Bruford (Yes) - and after failing to enlarge their modest following he called it a day in October 1974, putting the name on ice until their resurrection in 1981.

The 80s line-up finally managed to eke praise from the more voguish critics. Fripp's complex, echo-laden guitars were as precise as maths, but new boy Adrian Belew's startling guitar sounds (trumpeting elephant anyone?) provided an irreverent and thrilling contrast. This, coupled with Belew's David Byrne-like vocals and quirky, erudite lyrics led many to cite him as Crimson's new linchpin.

The best, most rounded work was on 1981's Discipline, which features the aforementioned pachyderm rage on Elephant Talk, and the sublime, near-hit Matte Kudasai. 

In 1982, Beat's 'more-of-the-same' approach was welcome, but by 1984's Three Of A Perfect Pair, a once sparky formula was wearing thin.