MOTOWN
With an $800 loan from his family and a roster of unknown young
Detroit singers, former record shop owner Berry Gordy Jnr started
what he intended to be a small, inner-city recording company.
From the time of the company's inception in 1958 to its sale 30
years later, Gordy and his Motown Record Company (short for
"Motor City") made an impression on American music that
has remained unequalled. Motown, with its sister label Tamla, was
based at 2648 West Grand Boulevard in Detroit.
Gordy said his dream was for a hit factory "shaped by
principles I learned on the Lincoln-Mercury assembly line" in
Detroit where he worked as a car upholstery trimmer for $85 a
week.
Marv Johnson's song Come To Me was the label's first
release, issued as Tamla 101 before being picked up by major label
United Artists and hitting number 30 on the US Billboard
Hot 100. The first Motown million-seller came on February 12 1961 with The
Miracles' Shop Around. The label scored its first US
Number One later that year (on December 10) with The
Marvelettes debut single Please Mr Postman.
The "Motown sound" is something nobody has ever
adequately defined, even Gordy himself. Actually, in its hey day,
a Motown record was immediately definable when heard on the radio.
Simple melodies that were easy to sing along with, usually with a
gospel-flavoured tune augmented by handclaps, finger snaps or
tambourine with a strong, rhythmic bass line.
Heavy emphasis was placed on percussion, and the sound was
sweetened by violins, chimes and guitars. This was all
accomplished by Motown's in-house band, Earl Van Dyke & The
Funk Brothers.
The contributions of bassist James Jamerson and drummer Benny
Benjamin are now legendary, and they alone provided the backbeats
to all of the 60s Motown hits.
Add to this the talents of some
exceptional Motown singers and musicians, most of whom were
recruited straight from the Detroit ghettoes: Smokey
Robinson & The Miracles, The
Supremes (pictured at left), Marvin Gaye, The
Temptations, Stevie Wonder and The
Four Tops.
Under Gordy's supervision, they all amassed a string of hits
that made them international superstars.
In the 1960s, Motown boasted a 75% success rate of its single
releases and during the mid to late 60s they sold more single
records than any other record company. It was also the largest
black-owned corporation in America.
The incredible talents of the song writing and production team
of Holland-Dozier-Holland were responsible for dozens of hits for
the label.
The trio eventually set up their own label, Invictus,
following a long legal battle with Motown.
Their first hits with their new label were Give Me
Just A Little More Time by Chairmen
Of The Board and Band Of Gold by Freda
Payne.
Relocating from Detroit to the West Coast in the early 70s took
its toll as Motown's trademark sound could not be duplicated
elsewhere.
Motown ceased to be an independent record label in 1988 when
Gordy sold the company to MCA which, in turn, sold it on to
PolyGram in 1993. It is now owned by the Universal Music Group and
is based in New York. The
little row of houses where this music was created on West Grand
Boulevard in Detroit is now the Motown Museum, still managed by
the Gordy family.
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