Phil Spector
Known as "The Tycoon of Teen", Spector was the
first rock producer whose ability to achieve a distinctive sound in
the studio came to be regarded as the defining quality of the records
he worked on. It was known as his "wall of sound", and Spector applied
it to recordings by The Crystals, The Ronettes,
The Righteous Brothers
and more, often effectively relegating the artists' performances to a
secondary role in the architecture of the music.
In essence, to create what he termed his "little
symphonies for the kids" he packed large instrumental ensembles into
tiny studios, and employed previously unknown multiple-echo techniques
to build up a huge sound, unrivalled in its day.
It is often forgotten that Spector was also an
accomplished songwriter, having contributed to the penning of Ben E
King's Spanish Harlem, The Drifters' On Broadway and The
Teddy Bears' million-seller To Know Him Is To Love Him - a
title taken from the inscription on his father's tombstone (Spector's
father, Benjamin, had killed himself when Phil was nine).
His particular forte was simple, irresistible hooks,
for which his criterion was the question "is it dumb enough?", by
which he meant, was the hook simple enough to cut through everything
else and sell the record? Classic Spector hooks are the heartbeat drum
intro to The Ronettes' Be My Baby, the mesmeric guitar lick
that opens The Crystals' Then He Kissed Me and the insidiously
repetitive piano of He's A Rebel.
Born Harvey Phillip Spekter on December 26 1940
in the Bronx, New York, he became involved in the music industry only
after moving to Fairfax, California in 1953. There he joined a group
of aspiring musicians including Sandy Nelson - who was later to play
drums on To Know Him Is To Love Him.
His
career really started when Lee Hazelwood recommended him to the New
York production team of Jerry Leiber and Mike Stoller. He then tasted
success with his own group The Teddy Bears, before moving
wholeheartedly into production.
At a time when whole albums were made in a day,
Spector would spend a week perfecting just one single. His success
peaked in 1966 when Ike & Tina Turner's River Deep Mountain High,
a UK Top 3 hit, flopped completely in America, not because of the
record itself which has since become a classic, but because the
industry had had enough of Spector's self-aggrandizing, dismissive
arrogance and simply refused to get behind the record.
Even so, he
went on to work with The Beatles on the Let It Be album,
although his melancholic orchestration on The Long and Winding Road
infuriated the song's composer, Paul
McCartney, who cited Spector as a
reason for The Beatles' break-up.
After the end of his marriage with his former
protégé, Ronnie Spector of The Ronettes (she divorced him in 1974
claiming he abused her and his children), his behavior grew
increasingly erratic, reclusive and unfathomable. He would often
threaten people with a pistol that he kept strapped to his hip. He
also battled drug addictions, notably cocaine and alcohol.
In February 2003, Spector allegedly took a
40-year old B-movie starlet to his Los Angeles mansion and shot her in
the face. When police were called to the house they found Lana
Clarkson dead on the marble floor of the foyer beside the murder
weapon. Spector was the only other person in the house and struggled
with police after they burst in. Freed on $1 million bail, Spector
hired the lawyer who won an acquittal for O J Simpson. |