THE SEX PISTOLS
God bless The Sex Pistols. During their chaotic two year
existence, they introduced real musical anarchy to the world,
yoking their working-class anger and disgust to a brutal roar that
still inspires nascent punk bands.
Looking back, it's hard to
believe that a group as self-destructive as The Pistols could have
gained so much fame and come to wield enormous influence on rock
& roll and the music industry itself. But the music they
played was just one small component of their story.

The brief success of The Sex
Pistols represented an inspiring marketing operation by their
manager Malcolm McLaren,
selling an attitude which expressed contempt for everyone. And you
didn't have to like the music to like the attitude.
The Pistols ethos can be traced back to 1974 when McLaren,
managing drummer Paul Cook and guitarist Steve Jones in The
Swankers, supposedly sacked third member Wally Nightingale for
being "too musically proficient".
Renamed The Sex Pistols, and now fronted by leering lead singer
Johnny Rotten (real name John Lydon), the group made their debut
in November 1975 with a gig at St Martin's School of Art in
Charing Cross Road, London, before quickly getting banned from
venues all over the UK.
Following the release of their landmark debut single, Anarchy
In The UK, the Pistols made front page news following an
appearance on the Today
television show - hosted by Bill Grundy - on 1 December
1976.
In fact, The Sex Pistols were last-minute replacements for Queen
who had been scheduled to appear on the show but were unavailable.
Towards the end of a typically obnoxious interview Grundy goaded
the band, spurring them on to be controversial. The boys did not
disappoint:
Grundy:
Well keep going, chief, keep going. Go on, you've got another
five seconds. Say something outrageous.
Steve Jones: You
dirty bastard.
Grundy: Go on, again.
Steve Jones: You dirty fucker.
Grundy: What a clever boy.
Steve Jones: What a fucking rotter.
The interview generated an incredible amount of
publicity, which coupled with Jamie Reid's provocative sleeve
design for their next single God Save The Queen - depicting
the monarch with a safety pin through her nose - guaranteed their
infamy. The next morning they were national front page news.
Their single reached No 12 in the charts but EMI got cold feet
and stopped promoting the band. The Pistols set out on their first
national tour but were banned from playing all but five of the
scheduled twenty dates.

In 1977, bassist Glen Matlock, a talented songwriter, was
replaced by the incompetent but iconic Sid Vicious (real name John
Ritchie) (pictured below), and God Save The Queen
surprisingly managed to top the charts with absolutely no
commercial radio airplay at all.
The band earned well over £100,000 in advances from three
different record companies as high jinks and constant press
attention got them sacked from labels with remarkable frequency.
To celebrate the 25th anniversary of Queen
Elizabeth's
accession to the throne, the band hired a boat in June and set
sail on the River Thames, blasting their anti-Elizabeth anthem
("she ain't no human being") at full volume to the whole
of London. It was a far cry from the nationalistic tunes piped
from other boats in the procession.
The cops showed up and of course, savvy manager Malcolm McLaren,
had a camera crew on hand to film the bloody lot. The great rock
and roll swindle continued as always.
In July, Pretty Vacant went Top 10 in Britain and the
band toured England undercover (as The Spots - which stood for Sex
Pistols On Tour). Holidays In The Sun followed Pretty
Vacant into the Top 10 in October. The following month, their
debut album, Never Mind The Bollocks - Here's The Sex Pistols
went straight into the UK album charts at Number One.
In something of a test case a London record retailer was warned
that displaying the album sleeve was an offence under the 1889
Indecent Advertising Act, but magistrates ruled this was not so.
The Sex Pistols ended 1977 by signing with Warner Brothers in the
USA - Finishing up as the ninth best-selling singles act in
Britain for the year!
Early in 1978, the Pistols' highly-publicised and ultimately
self-destructive US tour of big venues was a shambles, and it's no
wonder that the group imploded. The farcical tour ended in
disarray with The Pistol's last-ever gig at San Francisco's
Winterland on 14 January 1978.

It was public knowledge that the members of the band never
really liked each other, and Sid's ill-fated drug abuse and John's
intellectual pretensions only exacerbated the situation.
On 16 October 1978, Malcolm McLaren persuaded Virgin Records to
cough up the $50,000 bail required to get Sid out of New York's
Rikers Island prison where he was awaiting trial for the murder of
his girlfriend, Nancy Spungen.
On 9 December, Sid and his new girlfriend Michelle Robinson
wound up in Hurrah's disco at 2.30 AM, where they met Patti
Smith's brother, Todd. Sid and Todd argued, with Todd punching
him and Sid smashing a bottle and slashing Todd across the face.
With his bail comprehensively breached, Vicious was immediately
hauled back to Rikers' heroin detox unit where he stayed for the
next seven weeks. Virgin's bail money went with him . . .

Sid Vicious died of a drug overdose nearly eight weeks later on
2 February 1979. He was 21.
It came as no surprise to anyone when Malcolm McLaren unveiled
a 1979 Sex Pistols documentary called The Great Rock &
Roll Swindle.
A 1996 Sex Pistols reunion
(pictured at right) - dubbed 'The Filthy Lucre Tour' after a tabloid headline from 1977, "Punk? Call it filthy
lucre" - was greeted in the British press as the least
welcome comeback of all time and a crass betrayal of the original
do-or-die punk philosophy.
The Pistols made no bones about their enthusiasm for converting
their mythical status into cold, hard cash but despite the
wall-to-wall publicity the announcement attracted, the band
struggled to sell out the 30,000-seat capacity gig at Finsbury
Park in June.
The gig, though, was by no means the embarrassment
that many had feared it could be.
"I
don't understand why people think it's so difficult to learn to
play guitar. I found it incredibly easy. You just pick a chord,
go twang, and you've got music".
Sid Vicious. 1977
|