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In the early 1960s Jamaican producers such as Leslie Kong, Clement
'Coxsone' Dodd and Duke Reid created a new sound to replace
American R&B acts. The new sound drew on R&B, rock &
roll, swing, jazz, calypso and even European ballroom music. When
Jamaican folk, or 'mento', rhythms were added with the
distinctive banjo twang, ska was born.
Pioneers included Prince Buster, Don Drummond and Desmond
Dekker; the first two were purveyors of ska instrumentals while
Dekker created such classic vocal tracks as The Israelites (UK
Number 1 in 1969). Rounding off the original ska quartet was
Derrick Morgan, a teen star who became a rude boy icon.
Ska acts were prolific musicians. Drummond wrote 300 tracks in
his brief five-year career (he was gunned down by the family of
Marguerita Mahfood, his former girlfriend whom, they believed, he
had killed). But then in Jamaica and in Britain alike, ska fans
seemed eager to buy every track by their heroes. This did not
apply in the US, although Dekker did make the Top 10 with The
Israelites.
The battle between producer Prince Buster and Leslie Kong (the
elder statesman of ska) helped define the genre. In 1963 Buster's
protégé Derrick Morgan defected to his old cohort Kong
and 'borrowed' an instrumental break from one of Buster's songs
for his first Kong release. A series of records followed,
including Blackhead Chinaman, as renowned for their
magnetic beats as their scathing lyrics. The battle boiled over in
1966 as rocksteady and the rude boy culture emerged.
Morgan/Kong's hit Tougher Than Tough told the tale of
four rude boys on trial for violent crimes, yet let off by a
lenient, unnamed judge. The song began a furious war of words,
with Buster releasing Judge Dread, the magistrate sending
the same boys down for centuries. Judge Dread spawned a
host of courtroom soap-style tracks, culminating in Buster's The
Barrister (credited to The Appeal). The barrister's
judgement even made national news, but Morgan had the last word:
in Judge Dread In Court the notorious magistrate is
jailed for impersonating a judge!
During the 1970s reggae superseded ska in Jamaica, but ska had
garnered enough of a following in the UK to inspire a wave of
ska-inspired hit-making acts in the late 70s/early 80s. Madness
and The Specials combined ska's dance beat with the energy of
punk to spearhead a very popular ska revival.
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