SMOKEY ROBINSON (& THE MIRACLES)

They recorded for Chess and were produced by Berry Gordy, who eventually signed them himself when he started Tamla Motown in 1959.

Smokey and The Miracles rose to Number Two in the US with the eighth release on the new Tamla label, Shop Around, during February 1961, at which point the fourth release on sister-label Motown, Bye Bye Baby, written and recorded by 17-year-old Mary Wells also began to climb the charts.

Robinson's exceptional song writing ability combined with his extraordinarily expressive falsetto voice, made each Miracles' release an occasion. 

During the next ten years some 36 singles hit the charts - among them such classics as You've Really Got A Hold On Me, What's So Good About Goodbye?, The Tracks Of My Tears, I Second That Emotion and the chart-topping Tears Of A Clown.

Where Otis Redding and Wilson Pickett blasted audiences with sheer vocal power, Smokey Robinson employed a feather-light touch, his agile falsetto reaching emotional peaks few vocalists could match.

So prolific was Smokey during the sixties that he was able to provide colleagues with equally powerful songs: The Temptations and Marvin Gaye both benefited from his writing, as did Mary Wells, whose trio of Robinson epics (The One Who Really Loves You, You Beat Me To The Punch and Two Lovers) all went Top 10 during 1962. Robinson also penned My Guy - a Number One hit for Wells, but also her Motown swan song. The Miracles were also a major influence on The Beatles in their early days.

Many people were upset when Robinson split from the Miracles in 1972, but his solo career was not without interest. He lost much of the 1980s to cocaine addiction but he's clean now, still touring, and a tireless guardian of the Motown legend.