Stevie Ray Vaughan
Stevie Ray Vaughan was born on 3 October 1954 to Jim and Martha
Vaughan, and grew up dirt poor in the Oak Cliff section of Dallas,
Texas.
Jim Vaughan, an asbestos worker, drank to kill the pain.
When Stevie Ray was in the third grade, his father smashed the
first record Stevie Ray ever bought (Lonnie Mack's Wham!) in a fit of
rage.
Stevie Ray looked up to his older
brother, Jimmie, and was fascinated by the blues records Jimmie
brought into the house. That's Stevie and Jimmie pictured at
right . . .
Jimmie left home at fifteen, leaving his
guitar behind for Stevie Ray, four years his younger. When Jimmie
saw his younger brother again two years later, he was already an
astonishing guitarist.
Stevie Ray followed
his brother to the blues Mecca of Austin, Texas in 1972, and it
took him a decade to prove himself the fastest guitar-slinger
around.
Stevie Ray's reputation persuaded
Mick Jagger to book
Vaughan for a private party in New York in 1982. Vaughan brought
along his three-year-old trio, Double Trouble, with bassist Tommy
Shannon and drummer Chris Layton, and he blew the star-studded
crowd away.
After that performance, Jerry
Wexler heard Vaughan perform and was so impressed that he arranged
for the guitarist to play the Montreux Festival in 1982. David
Bowie saw him perform there and asked Vaughan to play on the album
Let's Dance, which was released in
1983.
Jackson Browne meanwhile, offered
Vaughan free studio time, which he used to record Vaughan's 1983
debut album, Texas
Flood.
When Vaughan brought
Double Trouble into the studio, the group still didn't have a
recording contract and it took the considerable influence of the
venerable John Hammond - who had signed the likes of Count Basie,
Bob Dylan and Bruce Springsteen over the years - to arm-wrestle
Epic into signing Vaughan.
Texas
Flood established Vaughan as a guitarist, and Couldn't Stand The Weather
(1984) offered a
blueprint for the band's live show, from the T-Bone shuffle of Scuttle
Buttin' to the finale Voodoo Cile (Slight
Return).
By the time of Soul to Soul (1985), Vaughan was growing
quickly, developing as a band leader and a musical conceptualist.
With keyboardist Reese Wynans added to the band's line-up,
Vaughan was able to free his guitar playing and concentrate on
evoking the thick tone of his live
sound.
During the
1980's, a decade that was
dominated by image-conscious video stars, Vaughan built his
reputation solely on the strength of his playing, winning over
audiences through his live performances and word of
mouth.
Though he never had a hit single, his
playing brought him vast critical acclaim and enough awards to
fill a trophy case.
Guitar Player magazine
voted him Best New Talent in 1983 and 1984 and Best Electric Blues
Player in 1983, 1984, 1985, 1986 and
1988.
But as his popularity surged, Vaughan
became side-tracked by a fast-lane lifestyle which brought him
close to death in London during a European tour.
Vaughan went
through drug and alcohol rehabilitation, however, and emerged to
make the breakthrough recording In Step. It
was to be the last studio music he would make with Double
Trouble.
Vaughan was killed in a helicopter
crash on 27 August 1990 after a concert in East Troy, Wisconsin. He was 35.
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