The Tornados

Independent producer Joe Meek had his own recording studio in a flat above a shop in Holloway Road in North London.

There he experimented with echo, overdubs and various other effects to achieve a sound unique on the British music scene in the 1960s.

The Tornados were a group of studio musicians frequently utilised by Meek (as backing for John Leyton amongst others) who had also worked as Billy Fury's band.

Meek wrote an instrumental piece and in 1962 he recorded it with The Tornados. The song was Telstar and it rocketed to number one in Britain and America - it was the first British rock & roll record to top the US chart - and both band and producer were showered with praise.

Quite a few Meek-produced singles followed in the next few years, all employing piercing organ and mysterious percolating percussion, but none of them came close to matching the majestic Telstar (although tracks like Ridin' The Wind, Love and Fury and Blue, Blue, Blue Beat were fascinating with their spectral, shimmering organs (oo-er missus).

Unfortunately The Tornados never entered the US Top 40 again, although they had more hits at home in 1963 with Globetrotter, Ice Cream Man and Robot.  

At the start of 1963 blonde-haired bass player Heinz left the group and found solo stardom (of sorts) with Just Like Eddie (an ode to the late Eddie Cochran), while Clem Cattini became Britain's hottest session drummer.

Heinz Burt ended up working on the production line at the Ford plant in Dagenham, Essex, but ultimately made a decent living on the 'golden oldies' revival circuit with fellow old rockers like Marty Wilde and Billy Fury.

Heinz died in April 2000 from motor neurone disease. Alan Caddy died in August of the same year.