XTC
Formed in Wiltshire, England, in 1972 as Star Park (Rats Krap
backwards) this widely beloved UK pop unit became the Helium Kidz in
1973 with the addition of bass player Colin Moulding, drummer Terry
Chambers and a second guitarist Dave Cartner to the nucleus of Andy
Partridge (guitar, vocals). The Helium Kidz were heavily influenced by
The MC5 and Alice Cooper. In 1975, Partridge toyed with two new names
for the band, the Dukes Of Stratosphear and XTC.
At this time singer Steve Hutchins passed through the ranks and in
1976 Johnny Perkins (keyboards) joined Moulding, Partridge and
Chambers. Following auditions with Pye Records, Decca Records and CBS
Records they signed with Virgin Records - at which time they were
joined by new keyboard player Barry Andrews.
The band's sparkling 1978 debut, White Music, revealed a
keener hearing for pop than the energetic new wave sound with which
they were often aligned. The album reached number 38 in the UK charts
and critics marked their name for further attention. Shortly after the
release of Go 2, Andrews departed, eventually to resurface in
Shriekback.
Andrews and Partridge had clashed too many times in the recording
studio. With Andrews replaced by another Swindon musician, Dave
Gregory, both Go 2 and the following Drums And
Wires were commercial successes. The latter album was a major step
forward from the pure pop of the first two albums. The refreshingly
hypnotic hit single Making Plans For Nigel
(UK number 17) exposed them to a new and eager audience. Singles were
regularly taken from their subsequent albums and they continued
reaching the UK charts with high-quality pop songs, including Sgt.
Rock (Is Going To Help Me) and the magnificently constructed
Senses Working Overtime, which reached the UK Top
10.
The
main songwriter, Partridge, was able to put his sharp observations and
nursery rhyme influences to paper in a way that made his compositions
vital while eschewing any note of pretension. The excellent double set
English Settlement reached number 5 on the UK album
charts in 1982, but with Chambers opting to leave the band it was the
final album to feature a full-time drummer (although he contributed to
two songs on the subsequent Mummer). In November 1982, Andy
Partridge (who had twice collapsed on stage during the year - once
from a stomach ulcer, once from exhaustion) announced that XTC would
never play live again.
Subsequent albums found only limited success, with those of the
Dukes Of Stratosphear - their psychedelic pop alter ego - reputedly
selling more copies. Mummer, The Big Express
and the highly underrated Todd Rundgren-produced Skylarking
were all mature, enchanting works, but failed to set any charts
alight. Oranges & Lemons captured the atmosphere of the late
60s perfectly, but this excellent album also offered a further,
perplexing commercial mystery. While it sold 500,000 copies in the
USA, it barely scraped into the UK Top 30. The highly commercial
The Mayor Of Simpleton found similar fortunes, at a
desultory number 46.
In 1992 Nonsuch entered the UK album charts and two weeks
later promptly disappeared. The Disappointed, taken from
that album, was nominated for an Ivor Novello songwriters award in
1993, but could just as easily have acted as a personal epitaph.
In 1995 the Crash Test Dummies recorded The Ballad
Of Peter Pumpkinhead for the movie Dumb
And Dumber and in turn reminded the world of Partridge's
talent. Quite what he and his colleagues in the band, and Virgin
Records, had to do to sell records remained uncertain. Partridge once
joked that Virgin retained them only as a tax loss. It is debatable
that if Partridge had not suffered from stage fright and a loathing of
touring, XTC would have been one of the major bands of the 80s and
would have sold millions of records.
Those who are sensitive to the strengths of the band would rightly
argue that this would have severely distracted Partridge and Moulding
from their craft as songwriters. After almost showing a profit the
band decided to go on strike in 1992, they were finally released from
their Virgin contract in 1996 and signed with the UK's Cooking Vinyl
Records in late 1997. Following the departure of Gregory, who had
tendered his resignation from the team, Partridge and Moulding broke
their recording silence in 1999 with Apple Venus Volume 1. This
proved to be their most successful record in many years, well reviewed
and lapped up by their loyal fans.
Their familiar guitar-based pop sound was augmented by some
sumptuous orchestral arrangements. Sadly, these songs, like their
earlier classics, are never likely to be performed on stage in front
of an audience. The following year's Wasp Star (Apple Venus
Volume 2) was even better. This beautifully produced record (by
Nick Davis) shares the sumptuous sound of albums such as Skylarking.
All of the band's influences coalesce like never before, from the
riff-laden Playground to the Beach Boys' simplicity of In
Another Life and My Brown Guitar.
XTC remain one of the most original pop bands of the era and
Partridge's lyrics place him alongside Ray Davies as one of the UK's
most imaginative songwriters of all time.
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