Live
Aid
On November 25, 1984, 36 British recording artists gathered at a
studio in Notting Hill, London to donate their time and talent to a
song written by Bob Geldof (Boomtown
Rats) and Midge Ure (Ultravox) to
raise money for the relief of famine in Ethiopia. The result was the
historic Do They Know It's Christmas?, performed by Geldof and
Ure with Bananarama, the Boomtown
Rats, Phil Collins, Culture
Club,
Duran Duran, Frankie Goes To
Hollywood, Heaven 17, Kool & The Gang,
Annie Lennox, Marilyn, George Michael,
Spandau Ballet, Status
Quo, Sting, U2,
Ultravox, Paul Weller and
Paul Young - a group of singers
collectively known as Band Aid.
The single went straight to Number 1 in the UK and became the
biggest-selling single ever. Meanwhile, the single was certified gold
in the US where it inspired a similar fund-raising recording, We
Are The World, by a consortium of entertainers calling themselves
USA For Africa.
In March 1985, as Bob Geldof and Midge Ure accepted their Novello
Award for Do They Know It's Christmas?, the first shipment of
food and medicine paid for by Band Aid arrived in Ethiopia. In total, Band
Aid had raised £8 million for the famine relief program. Inspired
by the British effort, USA For Africa and Canada's Northern Lights
added more to the pile. But Geldof wanted more.
On July 13, at one minute past noon, the biggest pop event ever
staged over a one-day period kicked off with a set by Status
Quo.
Live Aid featured 60 of the world's biggest rock stars performing
for free at the world's biggest rock concert, held simultaneously over
a 16 hour period in two different countries in front of a live
audience of 162,000 (90,000 in Philadelphia and 72,000 in London) and
broadcast to an estimated 1.9 billion TV viewers in 150 countries
across the world.
Hundreds
of rock musicians gathered simultaneously at Wembley Stadium in London
in the presence of the Prince and Princess of Wales (pictured at
left with Bob Geldof) and JFK Stadium in Philadelphia to give the
marathon concert to raise more money for famine victims in Africa.
The concert, simulcast on television and radio, featured a live
hook-up between Britain and the USA, and was broadcast and telecast
live around the world. Wembley Stadium and JFK Stadium were equipped
with identical revolving stages and giant video screens.
The acts were given exactly 17 minutes apiece to perform. Everyone
left their ego at the dressing room door and threw themselves into the
spirit of the event, while Geldof harangued viewers into getting off
their butts and phoning in with promises of cash. In the US, the phone
system broke down momentarily when 700,000 calls hit the pledge line
at the same time. By the midpoint of the day, more than $20 million
had been promised through telephone pledges.
On the US stage, Madonna jammed with the
Thompson Twins, Tina
Turner performed a duet with Mick
Jagger, and Bob Dylan made up an
acoustic trio with Keith Richard and Ron Wood. Led Zeppelin reformed
with Phil Collins on drums, Black Sabbath re-formed with front man
Ozzy Osbourne, and Neil Young, Tom
Petty, The Cars, Bryan
Adams, Joan Baez, The Beach Boys and
Duran Duran were part of the staggering list
of performers.
The Wembley line-up included Paul
McCartney, Adam Ant, Elvis
Costello, BB King, The
Pretenders, Paul Young, Spandau
Ballet, Cliff Richard, Bryan
Ferry, Paul Weller, Alison
Moyet, Ultravox, Howard
Jones, Nik Kershaw, INXS and
Queen. Even The Who re-formed for the
event. So did Status Quo. And Geldof performed again with
The Boomtown Rats (even
though he had vowed he wouldn't sing).
Phil
Collins managed to play at both shows. After his spot at Wembley, he
jumped on Concorde, jetted across the Atlantic and played again in
Philadelphia later in the same day. The climax in Philadelphia saw Bob
Dylan jamming incoherently with a clearly bemused Ron Wood and Keith
Richards before an all-star cast degenerated into an unseemly scrum
while singing the USA For Africa anthem We Are The World.
It worked though. By the time Paul McCartney and Pete Townshend
carried an exhausted Geldof on their shoulders at the end of the
Wembley show, over $70 million had been raised worldwide.
A heroic achievement (and Geldof promised that 100% of the money
would go to African famine relief - which it did). Bob Geldof showed
with Band Aid and Live Aid that rock music could be used to
increase people's awareness of the world they live in - a concept out
of fashion since the Sixties - and not only to raise consciousnesses
but cash as well.
A lead that others were quick to follow (including Comic Relief,
Artists Against Apartheid, Sports Aid and Farm
Aid). And the man who
started the whole charity thing off was dubbed Sir Bob Geldof, Knight
of the British Empire, in the Queen's Birthday honours list in June
1986.
In 1992, having raised a total of $144,124,694 the Band Aid Trust
was closed down and Geldof issued a statement which read, in part; "It
seems so long ago that we asked for your help. Seven years . . . you
can count them now in trees and dams and fields and cows and camels
and trucks and schools and health clinics, medicines, tents, blankets,
clothes, toys, ships, planes, tools, wheat, sorghum, beans, research
grants, workshops . . . I once said that we would be more powerful in
memory than in reality. Now we are that memory". |
|