 Armchair Theatre/Armchair Cinema
1 9 5 6 - 1 9 7 3 (UK)
1 9 7 4 (UK)
457 x 60 minute plays
Armchair Theatre was a long-running series of single
episode self-contained plays and programs which gained a
reputation for gritty down-to-earth 'kitchen sink' dramas'.
For many years, Armchair Theatre was an essential part
of Sunday night viewing in Britain. Several spin-offs were born
from the series, including James Mitchell's Magnum for
Schneider (February 2nd 1967) which eventually resurfaced as
the pilot for Callan, and Vince Powell and Harry Driver's Never
Mind The Quality, Feel The Width.
Like almost all TV drama of the time, Armchair Theatre
was transmitted live, which presented profound technical
challenges for the ambitious director and writer. But such
ambition brought problems of its own - multiple moving cameras
meant the risk of cameras or microphones appearing in shot; sets
had to be large enough to allow cameras and actors to move freely
- while, perhaps, convincingly evoking a confined terrace
house.
The anthology provided one of the most striking demonstrations
of the perils of live television drama when, in Underground
(1958), the actor Gareth Jones collapsed and died during
transmission. Director Ted Kotcheff was forced into a hasty
rewrite, redistributing the actor's lines to other members of the
cast.
In spite of the general high standard, Armchair Theatre
was a bit too realistic for some, and various seamy scenes led to
it being dubbed 'Armpit Theatre'.
From 1960 onwards the series was alternatively called Armchair
Summer Theatre and Armchair Mystery Theatre and when
ABC lost its franchise to Thames Television in the late 60s the
series was dropped completely before being resurrected in 1974 as Armchair
Cinema, which had the distinction of producing Ian Kennedy
Martin's Regan (June 1974), which went on to become the
quintessential British cop series The Sweeney.
Many notable writers and playwrights contributed to the series,
including; Robert Muller, Lynne Reid Banks, Donal Giltinan, Hugh
Leonard, Robert Storey, Marc Brandel, John Hall, Robert Holles,
and James Gibbins.
In 1978 Armchair Theatre was resurrected for the last
time as Armchair Thriller, but by 1980 it was gone for
good.
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